Senin, 21 Mei 2018

31 2016 Estreno España

31 2016 Estreno España






31 2016 Estreno España- completo -BRRip-AVCHD- En Netflix - cuándo -año- película de ganzer .jpg



31 2016 Estreno España




Equipo De Filmación




Coordinación Departamento de arte:
Yuxuan Lavelle


Coordinador de acrobacias:
Luka Hobbs


Diseño de guión:
José Jesika


Imágenes : Sharee Sofya
Co-Produzent : Alycia Kida


Productor ejecutivo : Renaut Davion


Director de arte supervisor:
Jakoby Ines


Produce|Producir : Huet Momna


Fabricante: Dimitri Jeanina


Actriz : Abishan Aïdan








5.2
403















































Título de la película






31 2016 Estreno España







Hora




178 segundos





Lanzamiento




2016-09-15





objetos de valor




MPG 1080p
DVDrip





Categoría




Horror, Thriller, Mystery





habla




Deutsch, English, Español





nombre de reparto




Laurie
O.
Alberte, V JumpPaula Y. Onfray, Zente L. Joffé







[HD] 31 2016 Estreno España


_31_ was made very quickly on a shoestring budget, and it shows in Rob Zombie's worst film to date.

Bizarrely though, it also features what might just be the best performance of Richard Brake's career. And that is no small feat, the man is a proven talent.

Still probably skippable for the moviegoing community at large, but worth the time of a hardcore devotee.

_Final rating:★★½ - Had a lot that appealed to me, didn’t quite work as a whole._
_31_ was made very quickly on a shoestring budget, and it shows in Rob Zombie's worst film to date.

Bizarrely though, it also features what might just be the best performance of Richard Brake's career. And that is no small feat, the man is a proven talent.

Still probably skippable for the moviegoing community at large, but worth the time of a hardcore devotee.

_Final rating:★★½ - Had a lot that appealed to me, didn’t quite work as a whole._
By this point in his career, there's not much mystery left to Zombie. From his days of White Zombie to his latest musical outpourings and films, he's made his desire to have fun and his love for the grittier horror of the past well known. Zombie fans know this. We go into each new project knowing there's little chance of being surprised but hoping that it's going to be a hell of a ride of full of homages.

31 is no exception. The film opens with a scratchy, shaky cam and proceeds to introduce us to a lot of the same cast we've seen before playing the same trashy and foul-mouthed character types we've seen before. The acting is intentionally full of cheese and the setting is once again his favourite decade. If you didn't enjoy House of 1000 Corpses, The Devil's Rejects, or The Lords of Salem, there's little chance that 31 will be your cup of tea.

On one hand, I'm not disappointed. 31 is pretty much exactly what I expected it to be. On the other hand, it's clear that Zombie is capable of doing something more unique and at this point it really feels like it's time for him to -- for at least one film -- take his horror a different direction. Sure, I'm tired of the boring cleancut CGI films of the mainstream, but if anyone can make one of these that is truly gorey and scary, Zombie's the guy. I'm not saying he should stop doing what's fun for him, but some variety would be nice.

Quick notes:
- Richard Brake (Doom-Head) was perfection.
- Malcolm McDowell was underused.
- Sherri Moon Zombie wasn't the best casting choice for Charly, though I'd love to have her kicking ass here in a different capacity.
- Zombie really should make a full release of Werewolf Women of the SS.
Five carnival workers are kidnapped and held hostage in an abandoned, Hell-like compound where they are forced to participate in a violent game, the goal of which is to survive twelve hours against a gang of sadistic clowns.


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